By Steven Heine, Charles S. Prebish

ISBN-10: 0195146972

ISBN-13: 9780195146974

ISBN-10: 1423763238

ISBN-13: 9781423763239

The heritage of Buddhism has been characterised by way of an ongoing stress among makes an attempt to maintain conventional beliefs and modes of perform and the necessity to adapt to altering cultural stipulations. Many advancements in Buddhist heritage, similar to the infusion of esoteric rituals, the increase of devotionalism and lay activities, and the assimilation of warrior practices, mirror the effect of common social adjustments on conventional spiritual constructions. even as, Buddhism has been in a position to retain its doctrinal purity to a awesome measure. This quantity explores how conventional Buddhist groups have spoke back to the demanding situations of modernity, akin to technological know-how and expertise, colonialism, and globalization. Editors Steven Heine and Charles S. Prebish have commissioned ten essays by means of prime students, each one studying a selected conventional Buddhist university in its cultural context. The essays think about how the come upon with modernity has impacted the disciplinary, textual, ritual, devotional, useful, and socio-political traditions of Buddhist inspiration all through Asia. Taken jointly, those essays demonstrate the variety and energy of up to date Buddhism and supply a wide-ranging examine the best way Buddhism interacts with the trendy international.

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Desk of Contents
Editor's Introduction
1. The BuddhaÕs traditional and supreme Tooth
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2. Ask a Farmer: final research and Conventional
Existence in Tsong kha pa's Lam rim chen mo
Ð man Newland
3. portray the objective: at the id of the
Object of Negation (dgag bya) Ð Donald S. Lopez, Jr.
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Results of Anger Ð Daniel Cozort
5. Ethics because the foundation of a Tantric culture: Tsong kha pa
and the Founding of the dGe lugs Order in Tibet
Ð Elizabeth Napper
6. Bon rDzogs chen on Authenticity (pramÝna, tshad ma):
Prose and Poetry at the direction Ð Anne Carolyn Klein
7. The dGe ldanÐbKaÕ brgyud culture of MahÝmudrÝ:
How a lot dGe ldan? How a lot bKaÕ brgyud?
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Wisdom Sñtras in Tibet Ð Gareth Sparham
9. Gung thang and Sa bzang Ma ti Paû chen on the
Meaning of ÒFoundational ConsciousnessÓ
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10. Authorship and Literary construction in
Classical Buddhist Tibet Ð JosŽ Ignacio Cabez—n
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Object family members conception Ð Harvey B. Aronson
12. Drawing the metal Bow: A Bibliographic Appreciation
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Contributors 327

Extra info for Buddhism in the Modern World: Adaptations of an Ancient Tradition

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My life inscribed on a new path Saek (consecrate). My heart aXame with the truth of the Dhamma Phra (image). Polished with self-knowledge Thae (genuine). 36 The contemporary aniconic dissent regarding the popular cult of icons has both doctrinal and practical dimensions. It reXects a critique of what is perceived as an overly acculturated Buddhist religion; a philosophical debate over the nature of the Buddha; a dispute over the meaning of the material signs of the Buddha; and diVering views regarding authentic Buddhist practice.

Thanissaro Bhikkhu points out that while the Ajan Mun tradition has been critical of magical ritualism, it has included a strong strand of relic veneration. Personal communication, 5 August, 2001. 23. Sanitsuda Ekachai, “Sale of Amulets Is Not So Charming,” Bangkok Post, November 26, 1997, p. 11. 24. During his long and distinguished monastic career, Phra (Venerable) Prayudh has advanced through several ecclesastical ranks in the Thai sangha with diVerent titles. His current title, Phra Dhammapitaka, was formally conferred by the king of Thailand in 1993.

9). 7. A deva (deity) observing the enlightenment of the Buddha. Mural ceiling painting, cave no. 2. Photo by Ellen S. Goldberg. portions are not up to standard: “If the measurements be (off) . . by . . ”14 Performance aside, the canons provided an invaluable rule of thumb for artists, relieving them of part of the technical worries, while at the same time allowing them to concentrate on the message or burden of the work. The statues of Dambulla are fashioned from either rock, brick, or wood and then plastered over and painted.

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Buddhism in the Modern World: Adaptations of an Ancient Tradition by Steven Heine, Charles S. Prebish

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