By Norman Taylor
Exploring study into cellphone use as props to subjective identification, Norman Taylor employs ideas from Michelle Foucault, Gilles Deleuze and actor community idea to debate the impact of mechanisms of make-believe, from superstar tradition to avatar-obsessed video game gamers, and electronic tradition.
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Additional resources for Cinematic Perspectives on Digital Culture: Consorting with the Machine
In February 1936 McGurn himself was machine gunned to death in a bowling alley. ’9 Ellis argues that such unexpected cultural associations emerge from technology: the machine gun influences film, its cultural interpretation and modes of representation. This leads to questions concerning the cultural nature of technological affect. Searching for a key paradigm in these theories excavates influences and pressures on the hermeneutics of technology. 22 Approaches to Digital Culture Alternating culture and counterculture An alternative approach to technological determinism explores the extent to which humans have a decisive influence on technology.
The viewer is left wondering whether the footage is real. In some ways the ground for this had been laid by the 7/7 bombings of London transport in 2005, when similar ‘documentary’ phone footage brought a point-of-view flavour to television coverage of events on that day. Given the ‘added values’ of sound and moving images attached to – and largely expected from – the mobile phone, a choice of only two realities (in the ‘street’ and ‘telephone continuum’) seem quaint in light of the multi-media convergence and smartphone developments since 2001.
32 Stories that had been accessible only through education (novel reading) and wealth (theatre) were now open to all. What had been the A Conceptual History 31 realm of private and exclusive worlds opened up the restricted opportunities of the labouring class. Auditoria became places for indulgence of collective pleasure in a new assemblage of desire located in an urban industrial context. These complex influences on a general mindset provoked by the new technology confirm that a purely mechanical history of the moving image is only an inadequate, descriptive explanation.
Cinematic Perspectives on Digital Culture: Consorting with the Machine by Norman Taylor