By Oscar Riera Ojeda, James McCown

Structure intimately: colours examines how colour performs a job in even the main upscale architectural designs. The sequence itself examines the position of information in modern structure in the course of the paintings of many rising and validated practitioners whose tasks communicate sensitively and energetically on a small scale. colour is simply one other a kind of information architects use to place their very own (»Архитектура в деталях: Цвет» исследует, какую роль играет цвет в самых престижных архитектурных проектах. Эта серия исследует роль деталей в современной архитектуре.)

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But it is not without visual interest. Note the flat surface of the walls compared to the tubular-shaped handrails with their slight gloss—a subtle interplay between metal and plaster. wall section at stairs 30 white Zoran with the collaboration of Peter Moore and Peter Pennoyer, Zoran Loft, New York, 1994. All extraneous partitions in the loft were removed; only five white columns and two sets of shallow stairs, one leading up to the main living area and the other descending into a sleeping cove, remain.

Many of the white interior forms resemble ice formations, appropriate for a country in the far northern latitudes. Lacking extraneous color, the minor imperfections apparent in the poured-in-place concrete and plaster surfaces make for a variety of architectural experiences. Seen in detail, the forms themselves appear like individual abstract sculptures. 34 white Rockwell Group, Cirque du Soleil, Walt Disney World, Florida, 1999. It is hardly a coincidence that traditional desert tents were white – the lightness of the structures helped fend off the merciless sun.

In a sun-washed stairwell, a mingling of different shades of white and off-white walls form a constantly changing geometric composition. But it is not without visual interest. Note the flat surface of the walls compared to the tubular-shaped handrails with their slight gloss—a subtle interplay between metal and plaster. wall section at stairs 30 white Zoran with the collaboration of Peter Moore and Peter Pennoyer, Zoran Loft, New York, 1994. All extraneous partitions in the loft were removed; only five white columns and two sets of shallow stairs, one leading up to the main living area and the other descending into a sleeping cove, remain.

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Colors by Oscar Riera Ojeda, James McCown


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