By Adam Leipzig, Barry S. Weiss, Michael Goldman
The one-stop source for college studentsScript. Direction. Design. Production. Sound. Lighting. Editing. Effects. Animation. Marketing. Careers. It’s all right here. With storytelling and collaboration as center ideas, insiders Adam Leipzig (former President of nationwide Geographic Films), and Barry Weiss (former head of animation at Sony Pictures), with Michael Goldman (prominent journalist and expert), consultant scholars during the abilities and the craft of video and filmmaking. With unprecedented entry to the industry’s such a lot complete and insightful pros, budding filmmakers will study concepts from the superior. This soup-to-nuts publication is one scholars will maintain, and retain utilizing, for years.
When the booklet is packaged with LaunchPad for Filmmaking in Action, readers achieve entry to unique "How do I?" guidance movies with execs who've labored on video clips like Ant guy, Argo, Divergent, Unbroken, The LEGO Movie, Inception, Fight Club, Pineapple Express, Nebraska, The Imitation Game, Alice in Wonderland, Titanic, The Rock, Winter's Bone, superstar Wars, and plenty of extra.
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Extra resources for Filmmaking in Action
Indd 11 2/9/15 3:16 PM How Do I . . Get My First Movie Made? com/filmmaking A name: Cherien Dabis title: Writer/director selected credits: Selected Credits: May in the Summer (also star, 2013); Not Another Word (short, 2013); Amreeka (2009); Make a Wish (short, 2009) s you start down your own filmmaking path, it’s helpful to hear the stories of some of those who have already taken the journey. At the beginning of this chapter, we told you about one of those people—Cherien Dabis—and the effort, time, and struggle she went through to complete and sell her feature film Amreeka.
That story could be the basis for your class film; the fact that you tell it often means you probably already have a structure for the narrative. 4 Keep a journal. Always have a place to jot down thoughts as they come to you, and record at least one notable experience or character you meet every day. If you begin your journal now, at the beginning of the term, it will be filled with ideas by the time you need to select your project idea. 5 Do it with friends. Set a specific time (and a time limit, usually 30–60 minutes) to talk about ideas for a particular character or incident with your classmates.
4 Keep a journal. Always have a place to jot down thoughts as they come to you, and record at least one notable experience or character you meet every day. If you begin your journal now, at the beginning of the term, it will be filled with ideas by the time you need to select your project idea. 5 Do it with friends. Set a specific time (and a time limit, usually 30–60 minutes) to talk about ideas for a particular character or incident with your classmates. During the session, resist the urge to critique contributions in order to encourage creative flow, free from judgment or negativity.
Filmmaking in Action by Adam Leipzig, Barry S. Weiss, Michael Goldman