By Professor Alan Rosenthal
Jerusalem, Take One! Memoirs of a Jewish Filmmaker is a behind-the-scenes examine the lifetime of documentary filmmaker Alan Rosenthal, the maker of over sixty motion pictures together with Day of Peace, Out of the Ashes, A country Is Born, and near to Peace. As a witness to rather a lot contemporary Israeli background via a camera’s viewfinder, Rosenthal himself makes as a lot of a fascinating topic because the occasions he records. Born in London in 1936, Rosenthal studied legislations at Oxford earlier than starting his paintings in tv directing in Israel and the USA. through the Sixties he used to be a longtime younger filmmaker who had participated within the filming of the Eichmann trial in Jerusalem in 1961. He lower back in 1968, at the start for only one 12 months, as a part of a crew invited via the Israeli executive to establish the 1st tv community; that 12 months became the thirty-plus years that encouraged this book. The Eichmann trial, the advance of Israel tv, the Oslo contract, the hunt for the menorah from the second one Temple, the heritage of Zionism at the tv reveal, and the Yom Kippur warfare and venture Renewal are yet many of the fresh moments in Israeli heritage that Rosenthal and his digicam have witnessed. As he recollects those occasions with humor and wit, Rosenthal’s phrases recapture the sentiments and think of these occasions as vividly as his lens recorded their passing. this can be a memoir, no longer a historical past textbook, and Rosenthal himself is the real topic of the book’s such a lot intensely own and introspective moments, tales of progress and studying, of britain and family members, of affection and loss, of ideological unhappiness and renewed desire. Rosenthal’s story is one in every of growth towards the fellow he needs to be, the flicks he feels he needs to make, and the cultural id he seeks to strengthen for himself and all Jewish humans.
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Extra resources for Jerusalem, Take One!: Memoirs of a Jewish Filmmaker
On the Jordanian broadcasts, however, a different story was being told. Here we could see Egyptian troops perched on top of the Israeli bunkers at Suez, waving their rifles proudly and ripping the Israeli flag to pieces. And on Lebanese TV we could see Israeli prisoners of war, sitting on the Page 17 ground, their hands bound together and their eyes blindfolded. For everyone in Israel this was the blackest, darkest moment. During the war I had joined a camera team from the Jewish Agency and gone with them as an additional director.
My social acculturation took time. I had thought about the problems before I came and was therefore on my guard. What I hadn't considered too seriously, though, were the areas of censorship and securityhow careful you had to be and how the possible impact of your films could never be dropped from your mind for a moment. Page 15 In the seventies, Israel was surrounded by countries with whom it was in a state of war. Since the peace treaty with Egypt and the situation post-Oslo, things have changed slightly, but not much.
It's been a bit of a haphazard drunken progression, so that stops on the way have included hunting for the Temple treasures in southern France, looking for underwater archaeology in the Red Sea, and trying to fathom the secrets of Jerusalem. So, for many years, my life has revolved around putting Israel on record. As a documentary filmmaker I was, of course, privileged. I was invited, so to speak, into secret rooms, shown secret passages, and allowed to see and observe goings-on hidden from many others.
Jerusalem, Take One!: Memoirs of a Jewish Filmmaker by Professor Alan Rosenthal