By H. Domínguez-Ruvalcaba
This publication seems at representations of the male physique, sexuality and gear within the arts in Mexico. It analyses literature, visible artwork and cinema made from the 1870s to the current, concentrating on the Porfirian regime, the Post-revolutionary period, the decadence of the progressive country and the emergence of the neo-liberal order within the Eighties.
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Additional resources for Modernity and the Nation in Mexican Representations of Masculinity: From Sensuality to Bloodshed
Miss Eva arrives in Mexico City and rents an apartment far from the American tourists that “she” traveled with on the same train from El Paso, Texas. Fernando, a lagartijo (a type of well-dressed male who spent time in the streets of Mexico City harassing highclass ladies), insists on dating Miss Eva without success, despite several visits and gifts. In the last pages of the story, Miss Eva accepts his invitation to a private room in an elegant restaurant. At an (in)opportune moment, Fernando tries to kiss her, but Miss Eva interrupts his kiss to reveal “her” masculine identity.
The decadence of religiosity in the post-Reform society is interpreted as decadence in the naturalist literature, as well as in works about criminal issues and in prints by popular illustrators. Nervo’s Pascual Aguilera and his sexual incontinence is not the only excessive depiction of the male body’s explosive subordination to fleshly appetites. Criminal stories and pictures in popular pamphlets provide a version of the popular that overcomes the schematization or misunderstanding of the mestizo and the Indian in costumbrista art.
Do not insist. No! No! Oh . . ]. On the one hand, this cartoon conforms to the idea that effeminacy is a foreign (antinational) influence, and therefore the seduction of fashion must be rejected; on the other hand, this man is weak and cannot avoid being introduced to the prohibited fascination with color. The male is seduced by dresses; an unexpected attraction for cross-dressing is enough to erase his virility and the nation in one stroke. Erasing gender marked by cross-dressing becomes a battlefield where the exteriors of the masculine and the feminine are easily exchangeable.
Modernity and the Nation in Mexican Representations of Masculinity: From Sensuality to Bloodshed by H. Domínguez-Ruvalcaba