By Chuck Gloman, Tom LeTourneau

ISBN-10: 0240806611

ISBN-13: 9780240806617

A mixture of idea and functional purposes, putting Shadows covers the actual houses of sunshine and the choice of right tools for the very best impact. For the scholar, complicated beginner, and execs attempting to improve the glance in their productions, this booklet examines the basics and is additionally a pretty good reference for pointers on higher functionality.

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Extra resources for Placing Shadows: Lighting Techniques for Video Production

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14: Lighting intensity falloff outdoors in sunlight. This was a total difference of 420 foot-candles over the 50-foot distance. Less than half as much light is reaching the backdrop as reaches the first actor. Why the difference? What principles are involved? And how should they guide us in placing instruments? While math is not my strongest suit, it is necessary to look at a formula here for computing falloff: F = 1/d2. It states that light falls off at a rate inversely proportional to the square of its distance.

One of light’s unique properties is that it does not require a medium in which to travel from place to place. Sound and heat cannot travel through a vacuum, but light can. Sound and heat are slowed down by travel through liquids, but light is not. 12). The only artificial light sources that produce near-point-source illumination are the carbon arc and the HMI lamp. Since the majority of lighting instruments use some configuration of a tungsten filament enclosed in a glass or quartz envelope, we will take a look at what happens to the light rays that are produced by such multipoint filaments.

14). Example 2:You are shooting in a theater, using a 125-amp carbon arc spotlight to light the scene. You take a meter reading of the actor who is standing closest to the lens. You move to a second actor standing 25 feet behind the first and take another reading. You walk to the backdrop 25 feet behind the second actor and take your third reading. 15). 14), there was no difference between the readings, though there was a 50foot difference between the point of the first meter reading and that of the third.

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Placing Shadows: Lighting Techniques for Video Production by Chuck Gloman, Tom LeTourneau


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