By Dolores Martinez
Through the lens of Akira Kurosawa's motion pictures, Martinez dissects the human tendency to make connections in a pioneering try to construct a bridge out of numerous fabrics: the anthropology of Japan, movie stories, and postmodern theory.
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Extra info for Remaking Kurosawa: Translations and Permutations in Global Cinema
In the wife’s version, she frees her husband and begs him to kill her with a dagger she offers him. When he does nothing but look at her with hatred, she “loses her senses” and awakes to find him dead. Perhaps she has killed him. She tries to kill herself, fails, and ends up in a temple before being found and arrested. ” (Richie 1987:68). The husband, through a medium, tells his version: the wife urged the bandit to kill him because she could not run off with him as long as her husband lived. The bandit refuses, but offers to kill her for being so duplicitous; she runs away and he runs after her.
The vampire myth underpins Stoker’s novel and elements of this myth have been elaborated in countless vampire films—a huge global genre that includes more than 300 versions of 12 Remaking Kurosawa the idea that there exist beings that exist by feeding on human blood. The novel itself has generated various versions on stage and screen, most recently in Coppola’s Bram Stoker’s Dracula (1992). Why retell this story so many times? The impulse to retell these myths can be traced back to the nineteenth century and Stoker’s novel, but why?
But more interesting is Buffy, a new incarnation of the young female “victims” of the original. It is no mere structuralist inversion that makes her the heroine of these stories—we could argue that Mina is the real heroine of the original, helping Van Helsing ultimately to destroy Dracula. But it is also important that as a young, somewhat brainless high school cheerleader of the 1990s, she represents a generation seen to be at risk, because of their sexual activity, their anomie, and the use of drugs.
Remaking Kurosawa: Translations and Permutations in Global Cinema by Dolores Martinez