By Lars Svanberg
A qualified creation to the end-to-end means of electronic filmmaking! The EDCF consultant to electronic Cinema creation sheds mild at the ongoing and complicated transition from analog to electronic know-how in movie construction. as well as an entire research of technical matters, this article offers with a couple of matters the place ecu and Hollywood priorities range. It provides gas to the dialogue on ''Photo-Chemical Fundamentalism'' and the way forward for conventional film-based cinematography. With distinctive emphasis on new HD construction suggestions for the large cinema reveal, this advisor is the single and purely source to be had from a ecu point of view. The EDCF consultant to electronic Cinema creation presents movie execs and decisions-makers in eu cinema with a very good foundation for discussions on tips to deal with the transition from analog to electronic know-how. glance no extra for: * a number of construction case reviews, between them Ingmar Bergman's final movie ''Saraband'' (2003) and Lars von Trier's ''Dogville'' (2003). * Surveys of HD platforms & Cameras and ''The 37 MFAQ on HD Production.'' * professional studies on Audio Recording for HD and the electronic Intermediate approach. * targeted ecu tasks in electronic Cinema. * An up to date survey of the complex criteria state of affairs for electronic Cinema. * A entire examine archiving - the ''Achilles Heel'' of electronic construction. * the professionals and cons of manufacturing function motion pictures digitally - a different view of ''the ache and ecstacy.'' Editor-in-Chief Lasse Svanberg is a founding member of EDCF. He was once DoP on 14 characteristic movies 1966-81, based TM (Technolgy & guy) journal on the Swedish movie Institute in 1968 and used to be its leader Editor until eventually 1998 He was once elected Fellow of BKSTS 1979, Fellow of SMPTE 1995 and granted Professor's name by means of the Swedish govt 2002. he's the writer of six books at the heritage and attainable way forward for movie, video and tv. the eu electronic electronic Cinema discussion board (EDCF) was once constituted in June 2001 as joint Swedish-British-French attempt to set up a eu discussion board for discussions, details alternate and commercial actions within the box of electronic Cinema. This venture was once initiated simply because electronic construction, electronic distribution and electronic exhibition of movie is the main radical technical swap dealing with the movie in view that sound movie used to be brought. * excellent for the intense movie expert operating in Europe this day * An end-to-end advisor on electronic movie construction -emphasis on excessive definition * choked with overseas case stories together with the hot Ingmar Berman movie Saraband
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Additional info for The EDCF Guide to Digital Cinema Production
85). This means that the focal lengths of the HD lenses are considerably shorter than those intended for Super 16 use, and hence the larger depth of field. The obvious solution to this problem would be to increase the image area of the HD camera, and the most recent developments in HD camera design have done just that. Some types of camera have an image sensor the same size as a 35 mm image, which allows for the use of regular 35 mm lenses, and since this type of sensor can record all three colours, there is no need for a beam-splitting prism.
You cannot key an HD picture unless it was recorded on a hard disc. No doubt it is easier to key an HD picture from a uncompressed recording but test for yourself with a non-linear editing suite. Do this test at a couple of companies and at least one that does not have a telecine suite! 30 Are HD Viewfinders Awful? Yes they certainly are. They display only half to two-thirds the resolution that the camera records. Although the black-and-white CRT tube is scanned at HD resolution it does not seem possible to cram any more phosphors into a 2 inch CRT tube.
If 30 minutes of material is shot in one day (corresponding to three 1000 ft rolls of 35 mm film), 5360 gigabytes of data must be recorded! There are already hard discs on the market that can record several terabytes of data, and if even larger amounts of data must be stored, there is always the possibility to make tape back-ups. For HDTV broadcast applications, the Viper also has YUV option over a single HD-SDI cable, and with this option normal signal processing can be carried out in the camera.
The EDCF Guide to Digital Cinema Production by Lars Svanberg