By Andrew J. Rausch
In 1973, early of their careers, Martin Scorsese and Robert De Niro collaborated for the 1st time. Over the following couple of a long time, they labored jointly on seven extra video clips, a lot of which introduced them either acclaim and awards. And whereas profitable director and actor pairings have happened through the background of movie, few have shaped such a lot of works of tolerating price as those artists. In little greater than twenty years, Scorsese and De Niro produced 8 positive aspects, together with the classics Taxi Driver, Raging Bull, and GoodFellas.
In The movies of Martin Scorsese and Robert De Niro, Andrew J. Rausch examines the inventive output of this amazing pair, from their preliminary supplying, Mean Streets, to their most up-to-date movie jointly, Casino. Rausch appears at their dating as person artists who labored jointly to create cinematic magic, in addition to the friendship that was once cast approximately forty years in the past. Drawing upon interviews and different assets, Rausch is going behind the curtain in their 8 movies, supplying perception and research on all their collaborations, together with New York, New York, The King of Comedy, and Cape Fear. a unprecedented glimpse into the moviemaking technique of those legends, The motion pictures of Martin Scorsese and Robert De Niro will entice either students and lovers alike.
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Additional info for The Films of Martin Scorsese and Robert De Niro
18 Jaffe would later record detailed notes regarding which scenes to trim, but Julia Phillips kept the tape from Scorsese for fear that he would attack Jaffe. Instead of making all the cuts that the studio suggested, Scorsese experimented with the colors of the film in sixty-five cuts at the end of the film. By saturating the color of the blood in the massacre scene, thus making it look less realistic, Scorsese was able to obtain an R rating from the MPAA, making everyone happy. Perhaps most happy was Scorsese himself, who reveled in the fact that the change actually managed to make the scene even darker by making the blood look more pronounced.
Once the hippies are out of the car, Michael counts the money and finds that the hippies have shorted him twenty dollars. He and Tony then go get Charlie, and the three of them go to the movies with their newfound cash. They go to Times Square and watch The Searchers, a Scorsese favorite that is discussed in Who’s That Knocking at My Door? and will later serve as the primary inspiration for Taxi Driver. The next scene finds Charlie, Johnny Boy, and Tony going to a pool hall to meet their friend Jimmy (Lenny Scaletta).
Notes 1. Biskind, Peter, Easy Riders, Raging Bulls (New York: Simon & Schuster, 1998), 229. 2. Scorsese, Martin, Martin Scorsese: Interviews, ed. Peter Brunette (Jackson: University Press of Mississippi, 1999), 21. 3. Kelly, Mary Pat, Martin Scorsese: A Journey (New York: Thunder’s Mouth Press, 1991), 68. 4. , Fifty Filmmakers: Conversations with Directors from Roger Avary to Steven Zaillian (Jefferson, NC: McFarland, 2007), 59. 5. Taplin, Jonathan, interview by the author, January 11, 2007. 6.
The Films of Martin Scorsese and Robert De Niro by Andrew J. Rausch