By Stacey Parks
Innovation in know-how implies that virtually an individual could make an self reliant movie nowadays. even supposing this can be excellent news for aspiring filmmakers, it additionally signifies that the oversupply of autonomous motion pictures out there has brought on acquisition costs to dramatically reduce. for that reason, manufacturers and traders not often get well their preliminary funding within the movies they make. yet do not be discouraged! Use this publication to benefit the realities of the industry upfront and map out a successful distribution plan.
This accomplished guide for filmmakers and manufacturers devoted to movie distribution and may well suggest the adaptation among getting your movie out to the general public and retaining it ''in the can.” tips on how to promote your motion picture to a studio, a cable community, a video distributor, or a world consumer. Self-distribution and different choices to standard distribution also are thought of. additionally, you are going to pay attention a few good fortune tales from manufacturers and listen to precisely what purchasers are searching for.
Stacey Parks has labored with 1000s of hungry filmmakers to get their movies a distribution deal and is aware how troublesome the complete procedure should be. allow her convey you the way you could take keep an eye on of your filmmaking occupation and begin getting your paintings noticeable via audiences with a couple of little-known distribution secrets and techniques.
. Interviews and case stories with manufacturers and distributors
. Ten how one can marketplace your movie for self-distribution
. revenues projections according to territory
. Distribution assets listings
. Negotiation counsel for distribution agreements
. pattern distribution agreements
. What you want to comprehend to get your self reliant movie distributed
. Written through a distributor who is familiar with the method inside of and out
. Interviews with purchasers and acquisitions executives from each area of the company on what sorts of motion pictures they appear for, what they're in poor health of seeing, and the way their acquisitions tactics work
. site positive aspects pattern distribution agreements, budgets, and more!
New to this edition:
. thoroughly up-to-date for contemporary distribution practices (broadcast, DVD, VOD, and different kinds of distribution deals)
. New insurance on crowd-funding, social media, movie advertising, and deal memos
. Get the easiest inside of distribution secrets and techniques from fresh interviews with a global solid of administrators, manufacturers, and distribution specialists who percentage their experiences
. spouse site positive aspects useful downloadable types and templates, pattern distribution memos, and a good source section
Read or Download The Insider's Guide to Independent Film Distribution PDF
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Additional resources for The Insider's Guide to Independent Film Distribution
Furthermore, the quality of independent films on the market plummeted. ” In almost every case, they immediately reject a film shot on standard-definition video. It should also be noted that shooting on native HD formats is widely accepted by domestic and international distributors. But beware: if you plan to convert your HD movie to film and strike a print, you may well end up spending the same amount as if you had shot on film in the first place. Regardless of those facts, the upsides to shooting on HD versus film are the following: l No film and processing costs during production and most of postproduction l Instant replay of the take l Extra takes with no additional film and processing costs l Relatively inexpensive color correction and special effects l Vast control over color manipulation and special effects l Cheap, easy, fast ability to re-edit, while, say, on the festival circuit, in response to audience feedback (that is, tweaking is cheap and easy; there is no need to recut a negative to make a new interpositive and new print) The bottom line is that if shot correctly, with the right equipment, director of photography (DP), and video tech, HD can look as good as film.
2012 Stacey Parks. Published by Elsevier Inc. All rights reserved. 39 40 Production and Post Geared toward Distribution distribution deals. If you are not in a position to cut together a professional-looking trailer or promo from the material you have shot, there are other things you can do during production to at least give you a head start on distribution for the time when your film is completed. SHOOTING FORMAT One of the best investments you can make in your movie is shooting on film or high-definition (HD) video rather than on standard-definition (SD) video.
Crowd funding is great, but crowdsourcing (where you can ask for ideas or feedback on story, script, cast) is not bad either. Any way you can connect with your audience and make them feel part of your film is a good thing. Remember that every dollar that is raised online with crowd funding you get to keep with no ownership from the funders attached, unlike traditional financing. The more you raise, the more of the film you can own/control for yourself. I believe that “independent” filmmaking is turning into “fandependent” filmmaking.
The Insider's Guide to Independent Film Distribution by Stacey Parks