By Michael Rubens

ISBN-10: 0307378551

ISBN-13: 9780307378552

In the spirit of Douglas Adams and Terry Pratchett, The Sheriff of Yrnameer is sci-fi comedy at its best—mordant, raucously humorous, and an exhilarating page-turner.
 
Meet Cole: hapless area rogue and part-time smuggler. His sidekick simply stole his female friend. The galaxy’s so much hideous and feared bounty hunter desires to lay eggs in his mind. And the luxurious house yacht Cole simply hijacked seems to be choked with interstellar do-gooders, one in particular loathsome stowaway, and a shipment of freeze-dried orphans. Cole gathers a misfit group for a determined trip to the a long way reaches of the galaxy: the mysterious global of Yrnameer, the final of the “your-name-heres”—planets with no company sponsors. yet little does Cole suspect that this mythical utopia is domestic to a band of outlaws bent on destroying the planet’s tiny, peaceable community.

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61 The issue becomes more vexed, however, with the tools, toys, and gear associated with smaller companion animals, such as pet collars, tug toys, food dishes, and litter boxes, technologies into which innovations are introduced 18 Hedonizing Technologies every year. Are not these artifacts intended to enhance our enjoyment of companion animals? There is no doubt that a horse collar is technology; the issue is cloudier, however, with collars for cats and dogs. A >sh tank in the home is clearly a technological artifact—indeed, many are complex biochemical and mechanical systems requiring signi>cant commitments to daily care.

90 Both the ability to stock and manage a still-room and the skills of confectioners were highly prized in households a

Com. uences, artisan crafts-as-work underwent a two-century revolution in production techniques in which textiles were one of the vanguard industries. ”1 Although Taunton does not say so, the abundance of these collectibles is at least in part an artifact of the increase in supply of these tools, and of their materials as well, in the early modern period. Survival of these artifacts is, of course, subject to the biases of collecting and connoisseurship described in Appendix A. While I have postulated that some medieval and early modern embroiderers were hobbyists in the modern sense, from the late seventeenth century forward, consumers’ love of tools and materials for leisure activities and hobby artisanship is clearly and unambiguously documented.

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The Sheriff of Yrnameer by Michael Rubens


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