By Brian A. Nelson
An exemplary piece of narrative journalism, The Silence and the Scorpion presents wealthy perception into the complexities of recent Venezuela.
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Extra resources for The Silence and the Scorpion: The Coup Against Chavez and the Making of Modern Venezuela
When she came to, she assumed she had been hit with a rock. For her, being shot wasn’t really in the realm of possibility; of the dozens of marches that had taken place over the past year no one had ever been shot. The whole side of her face was numb, as if she had just been to the dentist and shot up with Novocain, but other than that, she really didn’t feel all that bad. The way her body was reacting . . it felt like she 36 The Silence and the Scorpion was in a sort of dreamland, sedated, as if she were outside her body watching herself.
Today, however, El Silencio was a tightly packed urban jungle made up of high-rise business and apartment buildings. It was one of the noisiest and most congested areas of the city, and its name had taken on a certain irony. Finally, they came to the intersection of Baralt Avenue. They were only about six blocks from the palace now, and the march was beginning to branch off and take one of three routes: The simplest was to continue straight for two more blocks until you reached El Calvario, then take a right up the New Republic Viaduct.
They were trying to put more space between the two opposing groups, and had also begun returning fire at some of the pro-Chávez gunmen.
The Silence and the Scorpion: The Coup Against Chavez and the Making of Modern Venezuela by Brian A. Nelson