By Patricia Holland
The tv guide offers a severe creation to either the idea and perform of the tv undefined. Patricia Holland considers the heritage and constitution of British tv and, at a time of quick switch, she explores the results of the electronic revolution.The tv guide bargains functional suggestion on many points of programme-making from commissioning via to the put up creation technique. The e-book brings jointly a variety of details on all facets of tv and contains interviews with figures akin to Tony Garnett and Phil Redmond and with cutting edge manufacturers, administrators and commissioning editors.The tv instruction manual bridges the space among thought and perform. during this new version, Patricia Holland discusses very important genres and ideas resembling narrative, documentary and information. Newly up to date chapters from James Curran, Tony Dowmunt and Robin Small examine tv journalism, entry programming and creation administration. a brand new bankruptcy presents a serious advent to tv reports and media theory.The tv instruction manual includes:* Interviews with administrators, editors, manufacturers and trainees * up-to-date and illustrated recommendation on digital camera, sound and modifying perform* recommendation on classes and investment for self reliant creation* A revised word list of expert phrases* A accomplished record of key texts and tv programmes
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Additional info for The Television Handbook (Media Practice)
IT Film and TV is a very high-tech business, and computers are used in every area of production and management. < previous page page_36 next page > < previous page page_37 next page > Page 37 • Essential skills and knowledge: High-level computer literacy. The ability to communicate with a diversity of users and a ‘feel’ for the industry. Quick working. • Useful background: Relevant qualification and work experience in a software house, manufacturer or consultancy. ► JOURNALISTS Journalists work in a diversity of factual, news and current affairs areas in TV and radio, generating and reporting on local, national or international stories.
Since the coming of the remote control first gave ‘grazing’ power to the audience, there has been a greater need for branding and channel identity—hence all those 2s and trails. There has been a move to programme ‘zoning’, with differing expectations < previous page page_27 next page > < previous page page_28 next page > Page 28 for programmes at different times of the day and different days of the week. Def II in the early evening for young people and Children’s BBC in the morning and late afternoon for children, can clump together dramas, news and entertainment items under their single logo.
Flexible. Passionate and knowledgeable about their chosen medium and its audience. • Useful background: Real-life experience plus a specialist training. ► VISION MIXING Working closely with the director in the gallery, the vision mixer selects and controls video images from a number of sources to build the programme. • Essential skills and knowledge: Attention to detail, good concentration, team skills, admin skills. • Useful background: Production secretary or admin work. ► WEB PRODUCERS Increasing use of the internet has produced jobs for individuals who can move easily between programme making and IT, communicating effectively with different people to produce and update Web information.
The Television Handbook (Media Practice) by Patricia Holland