By Dan Fainaru

ISBN-10: 1578062160

ISBN-13: 9781578062164

Deeply rooted within the soil and tradition of his local Greece, in its background, and in its modern political upheavals, Theo Angelopoulos (b. 1935) has selected to make all his movies, with out exception, at domestic. Like Ingmar Bergman prior to him, he proved once more that the more true a movie artist is to himself and his history, the extra appropriate he's to the remainder of the area. in the past thirty years as he has built his personal very own thematic language, he has turn into the most distinctively unique filmmakers on this planet at the present time.

This selection of interviews follows his occupation from his cutting edge debut with Reconstruction in 1971 to his triumph on the Cannes movie competition in 1998, whilst his movie Eternity and a Day was once provided the Golden Palm.

As he discusses the private, historic, political, and creative framework that gave beginning to every of his motion pictures, Angelopoulos tracks his sluggish evolution clear of outright anger. His early movie The traveling Players indicates him as a fiery militant at the political barricades combating for a greater international and inventing elliptical metaphors to steer clear of threats of censorship. As he grows older, he turns into extra introspective in such movies as Voyage to Cythera and Landscape within the Mist. In those later motion pictures he's a lot towards his person characters and permits heritage and politics to recede to the historical past. His interviews reveal an procedure that's ever extra existential and, with Ulysses' Gaze, ever extra inquisitive about the politics of borders, exile, and the hunt for an ethical and moral middle to interchange the failed beliefs of the 20 th century.

Angelopoulos claims that, like his well-known countryman Nikos Kazantzakis, he now not believes in whatever and now not expects whatever. "Therefore," he says, "I am a unfastened man." but he provides that he cares a great deal for poetry and human love.

These conversations with him have enough money a glimpse into the center and soul of a remarkably exact artist who has produced one of the most unforgettable moments of good looks and proposal in modern cinema.

Dan Fainaru is the movie critic for Kol Israel nationwide broadcasting. he's the function movie advisor for Israel's "1st Channel." in the course of the Nineties he used to be vice-president for the foreign Federation of movie Critics.

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Plan sequence (sequence shot) has existed throughout the history of cinema-in Murnau's films, for exam­ ple. The way that jancs6 uses tracking shots isn't real plan sequence; there is a fundamental difference between his use of it and mine, which I think is its real use. When I use plan sequence, it is to create a complete, finished scene, with inherent dialectical counterpoints. The scene is concluded, whereas in jancs6's films there are plans sequences which are long, but they don't amount to finished scenes.

Eva Kotamanidou 's role seems very complicated-she is Alexander's sister, daugh­ ter and mistress . . Her role is a result of the structure of the "Book of Megalexandros, " which intertwines a number of myths, such as Oedipus, but under different names. In the popular legend, which the film follows, Alexander's birth is a mystery; he is a "child of fortune, " so he adopts a woman from the town as his mother, and her daughter becomes his sister. Later he marries his adopted mother, so his stepsister becomes his stepdaughter.

U L R I C H A : G R E G O R/ 1 9 7 3 1 1 It is true that our present political situation is not unlike the time when the King intervened in favor of Metaxas, after realizing the two leading par­ ties were unable to reach an agreement on their own. The kind of political situation that could lead to a takeover by a certain Mr. X, just like it was the case with Metaxas. a : A : How did you manage to produce the film? One of my friends used to teach at the Greek Film School. He had a student whose husband-a rich man-was an admirer of Reconstruction.

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Theo Angelopoulos: Interviews by Dan Fainaru

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