By John Stevens

ISBN-10: 0834827239

ISBN-13: 9780834827233

Listed below are the inspirational lifestyles and teachings of Awa Kenzo (1880–1939), the Zen and kyudo (archery) grasp who received around the globe renown after the booklet of Eugen Herrigel's cult vintage Zen within the artwork of Archery in 1953. Kenzo lived and taught at a pivotal time in Japan's historical past, while martial arts have been practiced essentially for self-cultivation, and his clever and penetrating directions for perform (and life)—including aphorisms, poetry, educational lists, and calligraphy—are infused with the spirit of Zen. Kenzo makes use of the metaphor of the bow and arrow to problem the practitioner to appear deeply into his or her personal precise nature.

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Desk of Contents
Editor's Introduction
1. The BuddhaÕs traditional and supreme Tooth
Ð John Buescher
2. Ask a Farmer: final research and Conventional
Existence in Tsong kha pa's Lam rim chen mo
Ð man Newland
3. portray the objective: at the identity of the
Object of Negation (dgag bya) Ð Donald S. Lopez, Jr.
4. slicing the Roots of advantage: Tsong kha pa on the
Results of Anger Ð Daniel Cozort
5. Ethics because the foundation of a Tantric culture: Tsong kha pa
and the Founding of the dGe lugs Order in Tibet
Ð Elizabeth Napper
6. Bon rDzogs chen on Authenticity (pramÝna, tshad ma):
Prose and Poetry at the direction Ð Anne Carolyn Klein
7. The dGe ldanÐbKaÕ brgyud culture of MahÝmudrÝ:
How a lot dGe ldan? How a lot bKaÕ brgyud?
Ð Roger R. Jackson
8. Demons at the mom: Objections to the Perfect
Wisdom Sñtras in Tibet Ð Gareth Sparham
9. Gung thang and Sa bzang Ma ti Paû chen on the
Meaning of ÒFoundational ConsciousnessÓ
(Ýlaya, kun gzhi) Ð Joe Bransford Wilson
10. Authorship and Literary construction in
Classical Buddhist Tibet Ð JosŽ Ignacio Cabez—n
11. Altruism and Adversity: views from Psychoanalytic
Object kinfolk conception Ð Harvey B. Aronson
12. Drawing the metal Bow: A Bibliographic Appreciation
of the Literary Legacy of Paul Jeffrey Hopkins
and His application on the collage of Virginia
Ð Paul G. Hackett
Contributors 327

Additional resources for Zen Bow, Zen Arrow: The Life and Teachings of Awa Kenzo, the Archery Master from "Zen in the Art of Archery"

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Benedict’s task was to present Rome as the “crown of the world” (caput mundi), with the remaining edifices and myths of the monuments mixed together in a blend of the legends of Rome, the works of Ovid, speculative identification, passions of the martyrs, personal observation, and hagiographies of the saints. Benedict was, by all accounts, learned after his period, but his portrayal was clearly a panegyric to the city of Romulus. 36 :     ⁄  Petrarch, however, was categorically different from these precursors by his vision of a Rome in which the pagan fall was not the inauguration of the Church Triumphant.

Thus relativist agendas seem weakened in their criticism about the foundations of knowledge, for humans appear to have some common categories of perception. 24 Orientalist critiques sometimes have as their covert agenda the preservation of traditional hierarchies, with the sense of history as cultural property. Whereas some British colonial authors, to use an example drawn from the literature on Orientalism, certainly treated India as the colonial Other, that capacity assisted the maintenance of the critical distance required to engage in crucial historical research.

12 According to this idea, any discipline claiming all of humanity as its domain is by definition Eurocentric. Thus not only the person of the foreign historian but the very discipline of history itself colonizes India. 14 The immediate consequence of many of these challenges is a turn toward the subject, in which the character or intentions of the historian become the topic of discussion. At its best, this procedure can result in a productive reflexiveness on the process of historical composition.

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Zen Bow, Zen Arrow: The Life and Teachings of Awa Kenzo, the Archery Master from "Zen in the Art of Archery" by John Stevens


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